{"id":5733,"date":"2026-02-27T19:34:29","date_gmt":"2026-02-27T17:34:29","guid":{"rendered":"https:\/\/muzikinis-teatras.tandemumstage.space\/shows\/mozart\/"},"modified":"2026-02-27T19:34:29","modified_gmt":"2026-02-27T17:34:29","slug":"mozart","status":"publish","type":"shows","link":"https:\/\/muzikinis-teatras.tandemumstage.space\/en\/shows\/mozart\/","title":{"rendered":"Mozart!"},"content":{"rendered":"
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MOZART!
\nA Musical by Michael Kunze and Sylvester Levay<\/p>\n

Book and Lyrics: Michael Kunze
\nMusic and Orchestrations: Sylvester Levay<\/p>\n

Performed in Lithuanian<\/p>\n

Director VIKTORIJA STREI\u010cA
\nMusical Director and Chief Conductor JONAS JANULEVI\u010cIUS
\nSet Designer ART\u016aRAS \u0160IMONIS
\nCostumes and Make-up Designer JUOZAS STATKEVI\u010cIUS
\nConductor OKSANA MADARASH
\nChoreographer DAINIUS BERVINGIS
\nChorus master RASA VAITKEVI\u010cI\u016aT\u0116
\nLighting Designer AUDRIUS JANKAUSKAS
\nVideo Designer ARVYDAS STRIMAITIS<\/p>\n

Premiere on 6th October, 2023
\nRunning time 3 h.<\/p>\n

Mozart! \u2013 Heart Blood of a Troubled Genius
\nA child prodigy with the brightest of futures
\nA life torn between brilliance and self destruction
\nA musical legend killed by his own ingenuity<\/p>\n

Vereinigte B\u00fchnen Wien
\nWorldwide Stage Rights: VBW International GmbH<\/p>\n

Building on the successful strategy by VBW to integrate historical biographies into musical concepts, MOZART! presents another celebrity of Austria\u2019s rich history as the lead character of an exceptional musical production: Wolfgang Amadeus Mozart (1756 \u2013 1791), one of the most celebrated classical composers of all time, famous for his masterful melodies and infamous for his extravagant lifestyle\u2013reminiscent in many ways of modern pop star antics \u2013, who, after an unprecedented and feverishly rapid career, died a premature death at the age of only 35.
\nMOZART! is based on a related narrative idea, dedicated to a protagonist who is at odds with the world that surrounds him. Although set in the historical world of the 18th century, 21st-century audiences will have no problem instantly sympathizing with the obstacles faced by the main protagonist and will recognize many familiar elements from their own life experience. MOZART! deals with a fate that no one can escape \u2013 the drama of growing up and growing older \u2013 and as such is a timeless and touching tale.<\/p>\n

MOZART! \u2013 a rock star in a Rococo world. This collision of styles sums up the approach taken by Michael Kunze and Sylvester Levay in their smash hit musical. The clash of the irreconcilable \u2013 the past and the present \u2013 reflects the ambiguity of the main protagonist. Mozart, the man, feels stifled by the conventions of life in Salzburg: as an artist he is little more than a lackey at the service of the nobility. But he longs for artistic and personal freedom to live his own life, dreaming, drinking, playing cards and pursuing love. Amad\u00e9, the prodigy he once was and the impersonation of his genius, relentlessly pursues him in the guise of a haunting \u201cporcelain child\u201d who writes music almost incessantly and is visible only to him and the audience.
\nThis thrilling psychological ambiguity is greatly underlined by Sylvester Levay\u2019s musical concept: the score integrates powerful modern styles such as ballads, ragtime and rock with the delicate original Rococo themes by Mozart, played whenever Amad\u00e9, Mozart\u2019s nagging, puerile alter ego, sits at the piano.
\nInstead of focussing on the prevalent myth and the genius Mozart, the musical presents the legendary composer as a flawed, fragile and thus very tangible human being. MOZART! aims to free the figure of Mozart from the clich\u00e9s and superficial adoration that attach to him and allows the audience to sense, as they leave the theater, having caught a glimpse on Mozart, the real man, as a living and breathing person.<\/p>\n <\/div>\n <\/div>

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Mozart! \u2013 Heart Blood of a Troubled Genius
\nA child prodigy with the brightest of futures
\nA life torn between brilliance and self destruction
\nA musical legend killed by his own ingenuity<\/p>\n <\/div>\n\n ****<\/cite>\n <\/div>\n <\/blockquote>

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\n Production Team <\/h3>\n \n \n\n
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\n \"Viktorija_Streica\" <\/div>\n\n
\n <\/span>\n\n Viktorija Strei\u010da<\/strong>\n\n <\/span>\n\n \n More <\/a>\n <\/div>\n\n\n\n\n\n\n <\/div>\n\n \n\n
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\n \"Jonas_Janulevicius_portrret_02\" <\/div>\n\n
\n <\/span>\n\n Jonas Janulevi\u010dius<\/strong>\n\n <\/span>\n\n \n More <\/a>\n <\/div>\n\n\n\n\n\n\n <\/div>\n\n \n\n
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\n \"arturas_simonis_portret\" <\/div>\n\n
\n <\/span>\n\n Art\u016bras \u0160imonis<\/strong>\n\n <\/span>\n\n \n More <\/a>\n <\/div>\n\n\n\n\n\n\n <\/div>\n\n \n\n
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\n \"juozas_statkevicius_portret\" <\/div>\n\n
\n <\/span>\n\n Juozas Statkevi\u010dius<\/strong>\n\n <\/span>\n\n \n More <\/a>\n <\/div>\n\n\n\n\n\n\n <\/div>\n\n \n\n
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\n \"oksana_madarash_portret\" <\/div>\n\n
\n <\/span>\n\n Oksana Madara\u0161<\/strong>\n\n <\/span>\n\n \n More <\/a>\n <\/div>\n\n\n\n\n\n\n <\/div>\n\n \n\n
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\n \"rasa_vaitkeviciute_portret\" <\/div>\n\n
\n <\/span>\n\n Rasa Vaitkevi\u010di\u016bt\u0117<\/strong>\n\n <\/span>\n\n \n More <\/a>\n <\/div>\n\n\n\n\n\n\n <\/div>\n\n \n\n
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\n <\/span>\n\n Audrius Jankauskas<\/strong>\n\n <\/span>\n\n \n More <\/a>\n <\/div>\n\n\n\n\n\n\n <\/div>\n\n \n\n
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\n Performers <\/h3>\n
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\n \"Martynas_Beinaris_portret\" <\/div>\n\n
\n Baritone<\/span>\n\n Martynas Beinaris<\/strong>\n\n Wolfgang Amadeus Mozart<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
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\n \"Vygantas_bemovas\" <\/div>\n\n
\n Tenore<\/span>\n\n Vygantas Bemovas<\/strong>\n\n Wolfgang Amadeus Mozart<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
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\n \"Jonas_Lamauskas_portret\" <\/div>\n\n
\n Baritone<\/span>\n\n Jonas Lamauskas<\/strong>\n\n Leopold Mozart<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
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\n Baritone <\/span>\n\n Laimonas Pautienius<\/strong>\n\n Leopold Mozart<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
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\n \"Ingrida_Kazemekaite\" <\/div>\n\n
\n Soprano<\/span>\n\n Ingrida Ka\u017eem\u0117kait\u0117-Kunig\u0117l\u0117<\/strong>\n\n Nannerl Mozart<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
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\n \"Viktorija_Zeilikoviciute_portret\" <\/div>\n\n
\n Soprano<\/span>\n\n Viktorija Zeilikovi\u010di\u016bt\u0117<\/strong>\n\n Nannerl Mozart<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
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\n Tenore<\/span>\n\n Jeronimas Milius<\/strong>\n\n Hieronymus Colloredo<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
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\n \"rokas_laureckis_portret\" <\/div>\n\n
\n Tenore<\/span>\n\n Rokas Laureckis<\/strong>\n\n Hieronymus Colloredo<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n <\/div>\n\n
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\n Tenore<\/span>\n\n \u017danas Voronovas<\/strong>\n\n Hieronymus Colloredo<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
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\n Bass<\/span>\n\n \u017dygimantas Galinis<\/strong>\n\n Count Karl Joseph von Arco<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
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\n Bass<\/span>\n\n Joris Rubinovas<\/strong>\n\n Count Karl Joseph von Arco<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
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\n \"Akvile_Garbenciute_portret_02\" <\/div>\n\n
\n Soprano<\/span>\n\n Akvil\u0117 Garben\u010di\u016bt\u0117<\/strong>\n\n C\u00e4cilia Weber <\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
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\n Soprano<\/span>\n\n Ieva Vaznelyt\u0117<\/strong>\n\n C\u00e4cilia Weber <\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
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\n \"marija_arutiunova_portret_02\" <\/div>\n\n
\n <\/span>\n\n Marija Arutiunova<\/strong>\n\n <\/div>\n <\/div>\n\n \n
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\n \"Iveta_Kalkauskaite_portret\" <\/div>\n\n
\n <\/span>\n\n Iveta Kalkauskait\u0117 Majauskien\u0117<\/strong>\n\n <\/div>\n <\/div>\n\n \n
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\n \"Zivile_Lamauskiene_portret\" <\/div>\n\n
\n <\/span>\n\n \u017divil\u0117 Lamauskien\u0117<\/strong>\n\n <\/div>\n <\/div>\n\n \n
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\n \"Kristina_Siurbyte\" <\/div>\n\n
\n <\/span>\n\n Kristina Siurbyt\u0117<\/strong>\n\n <\/div>\n <\/div>\n\n \n
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\n <\/span>\n\n Ram\u016bnas Urbietis<\/strong>\n\n <\/div>\n <\/div>\n\n \n
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\n <\/span>\n\n \u017danas Voronovas<\/strong>\n\n <\/div>\n <\/div>\n\n \n
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\n <\/span>\n\n Rita Preik\u0161ait\u0117<\/strong>\n\n <\/div>\n <\/div>\n\n \n
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\n <\/span>\n\n Viktorija Strei\u010da<\/strong>\n\n <\/div>\n <\/div>\n\n \n
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\n \"ieva_goleckyte_portret\" <\/div>\n\n
\n <\/span>\n\n Ieva Goleckyt\u0117<\/strong>\n\n <\/div>\n <\/div>\n\n \n
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\n \"emilija_mackeviciene_portret\" <\/div>\n\n
\n <\/span>\n\n Emilija Mackevi\u010dien\u0117<\/strong>\n\n <\/div>\n <\/div>\n\n \n
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\n \"Gabriele_bielskyte\" <\/div>\n\n
\n <\/span>\n\n Gabriel\u0117 Bielskyt\u0117<\/strong>\n\n <\/div>\n <\/div>\n\n \n
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\n \"Gabriele_kuzmickaite\" <\/div>\n\n
\n <\/span>\n\n Gabriel\u0117 Kuzmickait\u0117<\/strong>\n\n <\/div>\n <\/div>\n\n \n
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\n \"neutralus_portret_02\" <\/div>\n\n
\n <\/span>\n\n Karina Ivanickyt\u0117<\/strong>\n\n <\/div>\n <\/div>\n\n \n
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\n \"neutralus_portret_02\" <\/div>\n\n
\n <\/span>\n\n Taurinta Klesevi\u010di\u016bt\u0117<\/strong>\n\n <\/div>\n <\/div>\n\n \n
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\n \"neutralus_portret_02\" <\/div>\n\n
\n <\/span>\n\n Agn\u0117 Kurauskait\u0117<\/strong>\n\n <\/div>\n <\/div>\n\n \n
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\n \"faustas_januska_portret\" <\/div>\n\n
\n <\/span>\n\n Faustas Janu\u0161ka<\/strong>\n\n <\/div>\n <\/div>\n\n \n
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\n \"evaldas_leskauskas_portret\" <\/div>\n\n
\n <\/span>\n\n Evaldas Leskauskas<\/strong>\n\n <\/div>\n <\/div>\n\n \n
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\n \"\" <\/div>\n\n
\n <\/span>\n\n Dainius Bervingis<\/strong>\n\n <\/div>\n <\/div>\n\n \n
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\n \"\" <\/div>\n\n
\n <\/span>\n\n Ram\u016bnas \u0160imukauskas<\/strong>\n\n <\/div>\n <\/div>\n\n <\/div>\n\n