{"id":5722,"date":"2026-02-27T19:34:30","date_gmt":"2026-02-27T17:34:30","guid":{"rendered":"https:\/\/muzikinis-teatras.tandemumstage.space\/shows\/elisabeth\/"},"modified":"2026-02-27T19:34:30","modified_gmt":"2026-02-27T17:34:30","slug":"elisabeth","status":"publish","type":"shows","link":"https:\/\/muzikinis-teatras.tandemumstage.space\/en\/shows\/elisabeth\/","title":{"rendered":"Elisabeth"},"content":{"rendered":"
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ELISABETH<\/strong>
\nA Musical by Michael Kunze and Sylvester Levay<\/p>\n

Book and Lyrics: Michael Kunze
\nMusic and Orchestrations: Sylvester Levay<\/p>\n

Sung in Lithuanian<\/p>\n

Chief Conductor JONAS JANULEVI\u010cIUS
\nDirector VIKTORIJA STREI\u010cA
\nSet Designer ART\u016aRAS \u0160IMONIS
\nCostumes and Make-up Designer KOTRYNA DAUJOTAIT\u0116
\nLight Designers ART\u016aRAS \u0160IMONIS, KORNELIJA R. KONDRATAVI\u010cI\u016aT\u0116
\nVideo Designer GEDIMINAS GRUNDHOUSER
\nChoreographer DAINIUS BERVINGIS
\nChorus master RASA VAITKEVI\u010cI\u016aT\u0116
\nConductor’s assistant Mantas Jan\u010diauskas<\/p>\n

Premiere 25th February, 2022
\nRunning time 2,5 hours (including interval)<\/p>\n

MICHAEL KUNZE UND SYLVESTER LEVAY
\nGREETINGS<\/strong><\/p>\n

It is wonderful to know our musical ELISABETH<\/strong> can now be seen at the Kauno State Musical Theatre in Lithuania.
\nWhat you will see on stage tells the true story of a woman who never gave up fighting for the right to live her own life. The backdrop and the costumes are historical, but the theme is very contemporary.
\nThe real Elisabeth lived at a time when the era of the powerful monarchies was coming to an end. A millennial tradition was about to be replaced by modern civilization as we know it today. Although Elisabeth was part of a doomed world, indeed even represented it, she had no illusions about its downfall. A new time was on the horizon, and she was surprised that most people she knew ignored the signs.
\nOccasionally she compared herself to a “black dove”. She was different, did not fit in with her peers. No one understood her fears and desires. Like every human, she yearned for security, future and love. She could not find these things in the world she was forced to live in. That explains her unrest and melancholy.
\nThat’s also one of the reasons Elisabeth keeps fascinating us. Her life was a flirt with death. She wrote poems that idolized death, she played with the idea to surrender to death, she adored death, though she never stopped to be frightened of dying. Her complicated love affair with Death s at the core of our story.
\nWe promise an interesting, very moving and thought-provoking show. Our admiration and thanks to the creative team on and behind the stage, the musicians and actors. Heartfelt wishes to all of you.<\/em><\/p>\n

*******************************************<\/em><\/p>\n

Greetings from Austria \/ \u201cElisabeth\u201d Lithuania 2022 \/ Kaunas<\/p>\n

Dear audience,
\nELISABETH is considered the most successful German-language musical of all time.
\nThe success of the production about the dramatic and touching story about the life, work and suffering of Empress Elisabeth, which started its international triumph in Japan as the very first musical export of VEREINIGTE B\u00dcHNEN WIEN, has been going on for over 30 years. Since then, the masterpiece by Michael Kunze and Silvester Levay has been delighting audiences all over the world with productions in Austria, Belgium, China, Germany, Finland, Italy, Japan, Korea, the Netherlands, Sweden, Switzerland, the Czech Republic and Hungary, counting almost 12 million international visitors.<\/p>\n

So it’s all the more wonderful that ELISABETH is now being brought on stage for the first time in Lithuania and then also in the European Capital of Culture Kaunas. The premiere at Muzikinis Teatras Kaunas is also the premiere in the fourteenth country where this moving musical is shown, and Lithuanian the ninth production-language and thus another milestone its history.<\/p>\n

We wish everyone involved in front of and behind the scenes the very best and you, our dear audience, a very special musical evening and best entertainment with ELISABETH!<\/em><\/p>\n

Franz Patay\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Christian Struppeck
\nCEO Vereinigte B\u00fchnen Wien\u00a0\u00a0 \u00a0\u00a0 Artistic Director Vereinigte B\u00fchnen Wien<\/p>\n

***********************************************************<\/p>\n

Everyone has danced with Death
\nbut no one like Elisabeth!<\/em><\/p>\n

Elisabeth is a German-language musical about Elisabeth<\/strong> (also known as Sisi), the wife of Habsburg Emperor Franz Joseph I, focusing mainly on an imagined lifelong flirtation with Death himself (rendered as a handsome young man called “Der Tod<\/strong>“- German for “death”) and Elisabeth’s constant need for independence, often at the cost of her unconditionally loving husband and her hypersensitive son Crown Prince Rudolf. It is narrated from beyond the grave by Luigi Lucheni<\/strong>, the Italian anarchist who assassinated her in 1898. He does his best to turn the audience against her, but ultimately it is left to the viewer to decide about Elisabeth’s character.<\/p>\n

It premiered in Vienna in 1992 and was responsible for launching the careers of Pia Douwes (Elisabeth) and Uwe Kr\u00f6ger (Death), who are today two of the most important performers in European musical theater. Elisabeth is also a popular offering by Japan’s all-female Takarazuka Revue. Various productions often reinterpret the show, including new songs and adding or removing whole plotlines, depending on how familiar an audience is with the historical background.<\/p>\n

The musical is staged in Kaunas Musical Theater according to the original version:<\/p>\n

Original Production: Vereinigte B\u00fchnen Wien
\nWorldwide Stage Rights: VBW International GmbH
\nLinke Wienzeile 6, 1060 Vienna, Austria
\ninternational@vbw.at\u00a0\u00a0\u00a0 www.vbw-international.at<\/p>\n <\/div>\n <\/div>

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Miuziklo autori\u0173 sveikinimas:<\/p>\n

\u201eNuostabu, jog m\u016bs\u0173 miuzikl\u0105\u00a0,,Elisabeth\u201c\u00a0jau galima pamatyti ir Lietuvoje, Kauno valstybiniame muzikiniame teatre.
\nTai, k\u0105 reg\u0117site scenoje, pasakoja tikr\u0105 istorij\u0105 apie moter\u012f, kuri nepaliaujamai kovojo u\u017e teis\u0119 gyventi savo gyvenim\u0105. Miuziklo laikotarpis ir kostiumai yra istoriniai, bet pati tema labai \u0161iuolaiki\u0161ka.
\nTikroji imperator\u0117 El\u017ebieta gyveno tuo metu, kai galing\u0173 monarchij\u0173 era \u0117jo \u012f pabaig\u0105. T\u016bkstantmet\u0119 tradicij\u0105 netrukus pakeit\u0117 moderni santvarka, kurioje mes \u0161iandien ir gyvename. Nors El\u017ebieta buvo pasmerkto pasaulio dalis, netgi viena ry\u0161kiausi\u0173 jo atstovi\u0173, ta\u010diau iliuzij\u0173 apie jo i\u0161saugojim\u0105 ji netur\u0117jo. Nauji laikai jau buvo regimi horizonte, tod\u0117l j\u0105 labai stebino aplinkini\u0173 abejingumas bei prana\u0161i\u0161k\u0173 \u017eenkl\u0173 nepaisymas.
\nEl\u017ebieta buvo kitokia, ji nepritapo prie aplinkos. Niekas nesuprato jos baimi\u0173 ir tro\u0161kim\u0173. Kaip ir kiekvienas \u017emogus, ji tetro\u0161ko saugumo, \u0161viesios ateities ir meil\u0117s, ta\u010diau to taip ir nerado pasaulyje, kuriame buvo priversta gyventi. Tai paai\u0161kina am\u017ein\u0105 Sisi nerimastingum\u0105 ir melancholij\u0105.
\nKita vertus \u2013 b\u016btent tuo El\u017ebieta mus ir \u017eavi. Jos gyvenimas buvo nuolatinis flirtas su mirtimi. El\u017ebieta ra\u0161\u0117 eil\u0117ra\u0161\u010dius, idealizuojan\u010dius mirt\u012f, ji \u017eaid\u0117 su viliojan\u010dia mintimi atsiduoti \u012f mirties gl\u0117b\u012f, ji visa esybe garbino mirt\u012f, paradoksalu, bet taip pat niekada nesiliov\u0117 jos bijoti. Painus Sisi meil\u0117s romanas su Mirtimi tapo m\u016bs\u0173 istorijos a\u0161imi.
\nPa\u017eadame jaudinant\u012f, ver\u010diant\u012f susim\u0105styti, bet tuo pa\u010diu ir labai provokuojant\u012f regin\u012f. Rei\u0161kiame did\u017eiul\u012f susi\u017eav\u0117jim\u0105 ir d\u0117kingum\u0105 visai k\u016brybinei komandai, tiek \u017emon\u0117ms, dirbantiems scenoje, tiek ir u\u017e jos rib\u0173. Ir, \u017einoma, muzikantams bei artistams.
\nNuo\u0161ird\u017eiausi link\u0117jimai jums visiems!\u201c<\/p>\n <\/div>\n\n Michael Kunze&Sylvester Levay<\/cite>\n <\/div>\n <\/blockquote>

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Brang\u016bs \u017ei\u016brovai,
\n\u201eElisabeth\u201c\u00a0yra s\u0117kmingiausias vis\u0173 laik\u0173 miuzikl\u0173 vokie\u010di\u0173 kalba. Spektaklis, pasakojantis dramati\u0161k\u0105 ir jaudinan\u010di\u0105 istorij\u0105 apie imperator\u0117s El\u017ebietos gyvenim\u0105, \u012fsipareigojimus ir kan\u010dias, tarptautin\u012f triumf\u0105 prad\u0117jo Japonijoje \u2013 tai buvo pirmasis \u201eVereinigte B\u00fchnen Wien\u201c muzikinis eksportas, \u2013 ir jo kelion\u0117 po pasaul\u012f t\u0119siasi jau daugiau kaip 30 met\u0173. Michael Kunze ir Silvester Levay \u0161edevras d\u017eiugino publik\u0105 Austrijoje, Belgijoje, Kinijoje, Vokietijoje, Suomijoje, Italijoje, Japonijoje, Kor\u0117joje, Nyderlanduose, \u0160vedijoje, \u0160veicarijoje, \u010cekijoje, Vengrijoje, j\u012f jau mat\u0117 beveik 12 milijon\u0173 \u017ei\u016brov\u0173.
\nYpatingai d\u017eiugu, jog \u201eElisabeth\u201c pirm\u0105 kart\u0105 pasirodys Lietuvos teatro scenoje, kuri yra 2022 m. Europos Kult\u016bros sostin\u0117je \u2013 Kaune. Tai keturioliktoji \u0161alis, kurioje bus rodomas \u0161is jaudinantis miuziklas, o lietuvi\u0173 kalba bus devintoji pastatymo kalba. Tai dar vienas ry\u0161kus etapas \u0161io miuziklo gyvavimo istorijoje.
\nVisai k\u016brybinei grupei, dirban\u010diai scenoje ir greta jos, linkime viso ko geriausio! O jums, brang\u016bs \u017ei\u016brovai, linkime ypatingo muzikinio vakaro ir malonaus laiko su \u201eElisabeth\u201c!<\/p>\n

Wien Franz Patay
\n\u201eVereinigte B\u00fchnen Wien\u201c generalinis direktorius<\/p>\n

Christian Struppeck
\n\u201eVereinigte B\u00fchnen Wien\u201c meno vadovas<\/p>\n <\/div>\n\n Wien Franz Patay<\/cite>\n <\/div>\n <\/blockquote>

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Martyno Aleksos nuotraukos<\/h3>\n \n
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\n Team <\/h3>\n \n \n\n
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\n \"Viktorija_Streica\" <\/div>\n\n
\n Director<\/span>\n\n Viktorija Strei\u010da<\/strong>\n\n <\/span>\n\n \n More <\/a>\n <\/div>\n\n\n\n\n\n\n <\/div>\n\n \n\n
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\n \"Jonas_Janulevicius_portrret_02\" <\/div>\n\n
\n Musical Director and Conductor<\/span>\n\n Jonas Janulevi\u010dius<\/strong>\n\n <\/span>\n\n \n More <\/a>\n <\/div>\n\n\n\n\n\n\n <\/div>\n\n \n\n
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\n \"arturas_simonis_portret\" <\/div>\n\n
\n Scenographer<\/span>\n\n Art\u016bras \u0160imonis<\/strong>\n\n <\/span>\n\n \n More <\/a>\n <\/div>\n\n\n\n\n\n\n <\/div>\n\n \n\n
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\n \"kotryna_daujotaite_portret\" <\/div>\n\n
\n Kostium\u0173 ir grimo dailinink\u0117<\/span>\n\n Kotryna Daujotait\u0117<\/strong>\n\n <\/span>\n\n \n More <\/a>\n <\/div>\n\n\n\n\n\n\n <\/div>\n\n \n\n
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\n \"arturas_simonis_portret\" <\/div>\n\n
\n \u0160viesos dailininkas<\/span>\n\n Art\u016bras \u0160imonis<\/strong>\n\n <\/span>\n\n \n More <\/a>\n <\/div>\n\n\n\n\n\n\n <\/div>\n\n \n\n
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\n \"neutralus_portret_02\" <\/div>\n\n
\n Video projekcij\u0173 autorius <\/span>\n\n Gediminas Grundhouser<\/strong>\n\n <\/span>\n\n \n More <\/a>\n <\/div>\n\n\n\n\n\n\n <\/div>\n\n \n\n
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\n Choreographer<\/span>\n\n Dainius Bervingis<\/strong>\n\n <\/span>\n\n \n More <\/a>\n <\/div>\n\n\n\n\n\n\n <\/div>\n\n \n\n
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\n \"rasa_vaitkeviciute_portret\" <\/div>\n\n
\n Chormeister\u0117 <\/span>\n\n Rasa Vaitkevi\u010di\u016bt\u0117<\/strong>\n\n <\/span>\n\n \n More <\/a>\n <\/div>\n\n\n\n\n\n\n <\/div>\n\n \n\n
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\n \"\" <\/div>\n\n
\n Assistant Conductor<\/span>\n\n Elisabeth<\/strong>\n\n <\/span>\n\n \n More <\/a>\n <\/div>\n\n\n\n\n\n\n <\/div>\n\n <\/div>\n \n \n

\n Other <\/h3>\n
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\n \"marija_arutiunova_portret_02\" <\/div>\n\n
\n Soloist<\/span>\n\n Marija Arutiunova<\/strong>\n\n Elisabeth<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
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\n \"Gabriele_bielskyte\" <\/div>\n\n
\n Soloist<\/span>\n\n Gabriel\u0117 Bielskyt\u0117<\/strong>\n\n Elisabeth<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
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\n \"Karina_Krysko_Mile_portret\" <\/div>\n\n
\n Soloist<\/span>\n\n Karina Krysko-Mil\u0117<\/strong>\n\n Elisabeth<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
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\n \"egidijus_bavikinas_portret\" <\/div>\n\n
\n Soloist<\/span>\n\n Egidijus Bavikinas<\/strong>\n\n Mirtis<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
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\n \"Jeronimas_Milius_portret_03\" <\/div>\n\n
\n Soloist<\/span>\n\n Jeronimas Milius<\/strong>\n\n Mirtis<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
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\n \"Martynas_Beinaris_portret\" <\/div>\n\n
\n Soloist<\/span>\n\n Martynas Beinaris<\/strong>\n\n Lukenis, Rudolfas ir Grafas Griune<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
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\n \"Mantas_Jankavicius_portret\" <\/div>\n\n
\n Soloist<\/span>\n\n Mantas Jankavi\u010dius<\/strong>\n\n Lukenis<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
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\n \"rokas_laureckis_portret\" <\/div>\n\n
\n Soloist<\/span>\n\n Rokas Laureckis<\/strong>\n\n Lukenis<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n <\/div>\n\n
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\n Soloist<\/span>\n\n Raimondas Baranauskas<\/strong>\n\n Francas Jozefas<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
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\n \"rokas_spalinskas_portret\" <\/div>\n\n
\n Soloist<\/span>\n\n Rokas Spalinskas<\/strong>\n\n Francas Jozefas<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
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\n \"\" <\/div>\n\n
\n Soloist<\/span>\n\n Rita Preik\u0161ait\u0117<\/strong>\n\n Sofija<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
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\n \"Kristina_Siurbyte\" <\/div>\n\n
\n Soloist<\/span>\n\n Kristina Siurbyt\u0117<\/strong>\n\n Sofija<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
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\n \"jurgis_jarasius_portret\" <\/div>\n\n
\n Soloist<\/span>\n\n Jurgis Jara\u0161ius<\/strong>\n\n Rudolfas ir Baronas Hiubneris<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
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\n \"Jonas_Lamauskas_portret\" <\/div>\n\n
\n Soloist<\/span>\n\n Jonas Lamauskas<\/strong>\n\n Maksas<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
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\n Soloist<\/span>\n\n Gediminas Maciulevi\u010dius<\/strong>\n\n Maksas<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
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\n Soloist<\/span>\n\n Ieva Vaznelyt\u0117<\/strong>\n\n Liudovika<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
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\n Soloist<\/span>\n\n R\u016bta Zaikauskait\u0117<\/strong>\n\n Liudovika ir Panel\u0117 Vindi\u0161<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
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\n \"Akvile_Garbenciute_portret_02\" <\/div>\n\n
\n Soloist<\/span>\n\n Akvil\u0117 Garben\u010di\u016bt\u0117<\/strong>\n\n Grafien\u0117 Esterhazi Lihten\u0161tain<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
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\n \"Iveta_Kalkauskaite_portret\" <\/div>\n\n
\n Soloist<\/span>\n\n Iveta Kalkauskait\u0117 Majauskien\u0117<\/strong>\n\n Grafien\u0117 Esterhazi Lihten\u0161tain<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
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\n \"neutralus_portret_02\" <\/div>\n\n
\n Soloist<\/span>\n\n Diana Gru\u017eauskait\u0117<\/strong>\n\n Helena<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
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\n \"Viktorija_Zeilikoviciute_portret\" <\/div>\n\n
\n Soloist<\/span>\n\n Viktorija Zeilikovi\u010di\u016bt\u0117<\/strong>\n\n Helena<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
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\n \"Gabriele_kuzmickaite\" <\/div>\n\n
\n Soloist<\/span>\n\n Gabriel\u0117 Kuzmickait\u0117<\/strong>\n\n Frau Volf<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
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\n \"\" <\/div>\n\n
\n Soloist<\/span>\n\n Ieva Vaznelyt\u0117<\/strong>\n\n Frau Volf<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
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\n \"\" <\/div>\n\n
\n Soloist<\/span>\n\n Giedrius Prunskus<\/strong>\n\n Kardinolas arkivyskupas Rau\u0161eris<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
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\n Soloist<\/span>\n\n Joris Rubinovas<\/strong>\n\n Kardinolas arkivyskupas Rau\u0161eris<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
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\n \"Andrius_Apsega_portret\" <\/div>\n\n
\n Soloist<\/span>\n\n Andrius Ap\u0161ega<\/strong>\n\n Kunigaik\u0161tis \u0160varcenbergas<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
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\n Soloist<\/span>\n\n Ram\u016bnas Urbietis<\/strong>\n\n Kunigaik\u0161tis \u0160varcenbergas<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
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\n \"kestutis_alcauskis_portret\" <\/div>\n\n
\n Soloist<\/span>\n\n K\u0119stutis Al\u010dauskis<\/strong>\n\n Baronas Kempenas<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
\n
\n \"\" <\/div>\n\n
\n Soloist<\/span>\n\n \u017danas Voronovas<\/strong>\n\n Baronas Kempenas<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
\n
\n \"neutralus_portret_02\" <\/div>\n\n
\n Soloist<\/span>\n\n Nerijus Noreika<\/strong>\n\n Baronas Hiubneris<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
\n
\n \"Martynas_Stankevicius\" <\/div>\n\n
\n Soloist<\/span>\n\n Martynas Stankevi\u010dius<\/strong>\n\n Grafas Griune<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n \n
\n
\n \"ieva_goleckyte_portret\" <\/div>\n\n
\n Soloist<\/span>\n\n Ieva Goleckyt\u0117<\/strong>\n\n Panel\u0117 Vindi\u0161<\/span>\n \n More <\/a>\n <\/div>\n <\/div>\n\n <\/div>\n\n